The reason I even have a post today is that David reminded me. Thanks, David. I completely forgot. Last week I thought that once I finished all my edits, submissions, etc., I’d be back blogging full speed ahead. But writing isn’t the only aspect of my life. And the rest has caught up with me. Midterms for three students means that they’re not around to help with the dishes/laundry/etc. One of whom doesn’t have a driver’s license, so I have to hang out at the library during study sessions. (It’s where I’m writing this post.)
I also thought that after all my writing, blog posts would be easy. But it’s not. It feels like my brain hasn’t got a word left to say. And maybe it’s because I haven’t had a good laugh for a while outside of watching Castle—which reminds me to warn you to “beware the coming zombie apocalypse.”
Speaking of TV, TV shows and movies are sometimes very instructive to writers because they’re a microcosm of what works and what doesn’t in storytelling.
I’m not sure if you’ve seen the show Castle, but I think it helpful to figure out what makes the show work. Obviously, the plotting on the show is good and the dialogue is witty. But it takes more than that to make Castle standout, especially with all the other detective shows that are on television. I think what makes the show so successful is that the plot and dialogue are blended together with interesting characters. And it’s especially instructive (at least to me) how the writers make me like a character that I wouldn’t find particularly sympathetic. Rick Castle has so many flaws...
He’s arrogant and actually says things like “I am ruggedly handsome.” But the writers couple that with the humility of listening and learning from his teenage daughter.
He’s irresponsible. The writers countered that with his dutiful parenting—both his daughter and his mother.
He’s a lothario. But they counter that with his true love for Kate. They twist this further by making his philandering his hamartia (fatal flaw) because it’s what keeps Kate from taking him seriously as a potential boyfriend/husband.
It takes a lot of skill to take a character trait and contradict it without having it feel fake. (I know, I’ve tried to make this work before. Not as successfully.)
Another thing that makes the characters work is the pairing of opposites. Rick is a writer—sedentary, solitary job, who also moonlights helping the police solve murders—active and aggressive. (You have to wonder when he actually finds the time to write...) Another set of opposites is the no-nonsense Kate paired with the creative, often silly Rick. Then these two are juxtaposed with Esposito and Ryan, grounded police officers who often serve as the “straight man” for the Kate/Rick comedy.
It’s these kinds of literary tricks of the trade that make the show so appealing. If you’ve watched the show, I’d love to know what else you’ve noticed that makes the show work.
Wednesday, October 13, 2010
Tuesday, October 12, 2010
Mix-up-ness
I know I was supposed to post yesterday. But yesterday got complicated. In honor of breast cancer awareness month, I got a mammogram. Radiology groups in the area were offering low cost mammograms and since my insurance won’t cover a mammogram, I took advantage of the offer. Of course, as soon as the tech saw my mammogram she said, “Uh, we are definitely going to need your earlier mammograms.” (I’ve been told before that mine are very hard to read.) I explained to the tech that they were done several years ago (before bad insurance) out of state and I had no idea where they were. She suggested that I try very hard to find them. So I spend a chunk of time yesterday calling random radiology groups in Connecticut.
Me: Uh, hello, I need to find out if you have any mammography records of mine.
Records person: Well, Connie, we have a CT scan done in 2003, but no mammogram. (CT scan was ordered my allergist who subsequently discovered that I have no frontal sinuses, which explained why all those topical antihistamines/steroids weren’t doing a blame thing.)
Me: Oh, well thanks.
RP: Do you want the names of the other radiology groups in the area?
Me: Yeah. Less time spent on Google. (Sadly, she didn’t have the phone numbers.)
I called another radiology group and made my request.
RP: Hmm. Let’s see you had a kidney ultrasound. (The result of a doctor who thought I had kidney cancer. I explained that I had a familial kidney issue that wasn’t a concern. He didn’t agree. Lots of expensive testing later, guess what? There was nothing wrong with me. Apparently I had a very weird familial thing. Duh.)
Me: No mammogram.
RP: Nope. But here’s the phone number for a different radiology group.
Me: Thanks.
I called the group. And guess what they had it. And were delighted to send them to the new radiology group. Then I called the tech here and told her that I’d tracked them down. She was very happy.
Then I got down to the real work of the day—getting my chapters ready to send to the Meacham Writers’ workshop. This went much quicker than I thought. I just put back all the stuff I’d deleted a week earlier. My beta reader said, “Wow. This is so much better.” Lesson to self: Do not edit when you’re feeling discouraged.
I ended the day with rollerblading—I had to burn off all the excess energy. There’s nothing like the speed under your feet and the wind in your face.
Anyway, this is my post about yesterday which “was variously diversified here at home and a general mix-up-ness of condition is the consequence.” (You gotta love those 19th century writers.)
Me: Uh, hello, I need to find out if you have any mammography records of mine.
Records person: Well, Connie, we have a CT scan done in 2003, but no mammogram. (CT scan was ordered my allergist who subsequently discovered that I have no frontal sinuses, which explained why all those topical antihistamines/steroids weren’t doing a blame thing.)
Me: Oh, well thanks.
RP: Do you want the names of the other radiology groups in the area?
Me: Yeah. Less time spent on Google. (Sadly, she didn’t have the phone numbers.)
I called another radiology group and made my request.
RP: Hmm. Let’s see you had a kidney ultrasound. (The result of a doctor who thought I had kidney cancer. I explained that I had a familial kidney issue that wasn’t a concern. He didn’t agree. Lots of expensive testing later, guess what? There was nothing wrong with me. Apparently I had a very weird familial thing. Duh.)
Me: No mammogram.
RP: Nope. But here’s the phone number for a different radiology group.
Me: Thanks.
I called the group. And guess what they had it. And were delighted to send them to the new radiology group. Then I called the tech here and told her that I’d tracked them down. She was very happy.
Then I got down to the real work of the day—getting my chapters ready to send to the Meacham Writers’ workshop. This went much quicker than I thought. I just put back all the stuff I’d deleted a week earlier. My beta reader said, “Wow. This is so much better.” Lesson to self: Do not edit when you’re feeling discouraged.
I ended the day with rollerblading—I had to burn off all the excess energy. There’s nothing like the speed under your feet and the wind in your face.
Anyway, this is my post about yesterday which “was variously diversified here at home and a general mix-up-ness of condition is the consequence.” (You gotta love those 19th century writers.)
Friday, October 8, 2010
Friday Five
I was thinking the other day about these wonderful excuses I’d once read about why someone’s homework was late. They were all written in Latin. One was, my goat ate my homework. Another, the Gauls stole my homework. My favorite, Hannibal’s elephants trampled it. I could share these with you in Latin, but I’d have to translate them myself and I’m tired. Sorry. Anyway, today’s Friday Five is your favorite missing homework excuses.
1. The Yankees were on last night. (Sorry. I had to get that it. They’ve won their first two playoff games. Woot!)
2. I got caught in a dimensional rift. (Or, I was preparing for the zombie apocalypse.)
3. I spilled soda on it. Luke actually turned in soda-soaked homework to a prof last semester. He apologized. She said not to worry. She once turned in homework that her cat peed on. Okay, then...
4. I was too busy saving the universe. My kids always use this when I tell them it’s time to get off the computer. “But mom I’m saving the universe from the Empire/Klingons/Mordor/Turks/Byzantines/Imperial Remnant/Disciples of Ragnos.”
5. All time most abused excuse. My dog ate my homework. This actually happened to Jacob. One morning we found our dog Jill contentedly munching through Jacob’s math homework.
What are your favorite excuses?
1. The Yankees were on last night. (Sorry. I had to get that it. They’ve won their first two playoff games. Woot!)
2. I got caught in a dimensional rift. (Or, I was preparing for the zombie apocalypse.)
3. I spilled soda on it. Luke actually turned in soda-soaked homework to a prof last semester. He apologized. She said not to worry. She once turned in homework that her cat peed on. Okay, then...
4. I was too busy saving the universe. My kids always use this when I tell them it’s time to get off the computer. “But mom I’m saving the universe from the Empire/Klingons/Mordor/Turks/Byzantines/Imperial Remnant/Disciples of Ragnos.”
5. All time most abused excuse. My dog ate my homework. This actually happened to Jacob. One morning we found our dog Jill contentedly munching through Jacob’s math homework.
What are your favorite excuses?
Thursday, October 7, 2010
Writers' Quotes
Drama, instead of telling us the whole of a man's life, must place him in such a situation,
tie such a knot, that when it is untied, the whole man is visible.
~Leo Tolstoy
tie such a knot, that when it is untied, the whole man is visible.
~Leo Tolstoy
Wednesday, October 6, 2010
Dark Mercy
This morning I printed up the beginning of an old manuscript. I plan to submit part of the manuscript to the Meacham Writers’ Workshop. (A wonderful free conference/workshop put on by the University of Tennessee, Chattanooga and others. Special thanks to those who realize that not all writers have the money to go to expensive conferences.)
In order to submit the manuscript, I know it will need to be edited. I have a little trepidation about reading it because it’s been a long time since I last worked on it, and I know that I’ve grown as a writer in those years. I expect to be shocked to find out how bad the manuscript might be, but that’s what edits are for.
And another part of me is looking forward to getting my hands dirty in the document. They say every writer has a manuscript in a drawer that is the story they had to write—a story written from the heart. This manuscript is my heart story. It’s not a story of me, but of characters that I fell in love with. Characters who demanded that their story be told and weren’t content until I’d taken apart their lives and put them back together. It’s a story about how their darkest experiences and sufferings were redeemed. Not that suffering is somehow good, that would be ridiculous. But that instead of remaining victims, they used their suffering to change who they are so that they conquered it. That’s why it’s my heart story.
I never made much of an effort to find an agent for the book because I don’t think it’s “marketable.” I think that we’d all like to believe that the best books get published and that agents and editors make their decisions based on aesthetics. But publishing is a business and like any business if it doesn’t make money, it fails. And I’m not going to rail against that. I understand it. And I believe it’s better that way. (What can I say, I’m a free market kind of person.) And just because the book isn’t publishable doesn’t mean that I’m not free to write it. I can write it for myself and enjoy it.
So I’m off to delve into the plot, passions, and symbols of Dark Mercy.
In order to submit the manuscript, I know it will need to be edited. I have a little trepidation about reading it because it’s been a long time since I last worked on it, and I know that I’ve grown as a writer in those years. I expect to be shocked to find out how bad the manuscript might be, but that’s what edits are for.
And another part of me is looking forward to getting my hands dirty in the document. They say every writer has a manuscript in a drawer that is the story they had to write—a story written from the heart. This manuscript is my heart story. It’s not a story of me, but of characters that I fell in love with. Characters who demanded that their story be told and weren’t content until I’d taken apart their lives and put them back together. It’s a story about how their darkest experiences and sufferings were redeemed. Not that suffering is somehow good, that would be ridiculous. But that instead of remaining victims, they used their suffering to change who they are so that they conquered it. That’s why it’s my heart story.
I never made much of an effort to find an agent for the book because I don’t think it’s “marketable.” I think that we’d all like to believe that the best books get published and that agents and editors make their decisions based on aesthetics. But publishing is a business and like any business if it doesn’t make money, it fails. And I’m not going to rail against that. I understand it. And I believe it’s better that way. (What can I say, I’m a free market kind of person.) And just because the book isn’t publishable doesn’t mean that I’m not free to write it. I can write it for myself and enjoy it.
So I’m off to delve into the plot, passions, and symbols of Dark Mercy.
Monday, October 4, 2010
Millie’s Millions
Friday night Cal and I went on a date. Our dates consist of driving to Barnes and Noble and sharing a cup of coffee. Not too exciting, but cheap and it gets us out of the house by ourselves.
After coffee, we look through the remaindered books. We rarely buy anything, but I love bookstores—the sheen of the book covers, the feel of the pages, the smell of the glue. A sort of “writer’s high.”
But instead of a book, we found a game on clearance for $7.50. We are game nuts. Cal and I grew up playing Risk, Monopoly, and Battleship. (I always lost in Battleship. Apparently, my ships are placed too methodically. Even when I tried really, really hard to be random, I was predictable.) So about ten years ago when the board/card game world exploded with creativity we eagerly joined. I can play Settlers of Catan, Bang, Gobblet, and even Killer Bunnies—but only if I’m forced (I hate Killer Bunnies. Sadly, it’s the boys’ favorite game, especially nuclear warhead bunny.)
Back to the cheap game. I didn’t really read about the game. I just checked the manufacturer—Gamewright makes good games. Then in the car on the way home I read the game summary for Aunt Millie’s Million$. “Aunt Millies dies and you become her heir. Use speed, strategy, and persuasion to collect the most coveted valuables. Will you get the vintage jukebox or the rusty toilet? Claim the same item as another player and you must give the best sob story to convince the judge you deserve it more.” Oh, and the person who gets the most stuff wins. Um, isn’t this what we want to teach our kids to avoid—greed, selfishness, and lying?
We began the game and had our first “heir squabble.” Jacob squabbled with one of his siblings over a Picasso painting, obviously very valuable. The problem for Jake is that before the game when you have to make up a history for your character, Jake made his character a blind orphan who was adopted by Aunt Millie. Of course, this caused him serious issues when he argued that he should get the Picasso, which he couldn't even see.
In the end, nobody really cares who wins. It’s seeing Calvin be the hairdresser whose wife is a trainer for the Pittsburg Steelers, Matt who is a poor maid accused of trying to murder Aunt Millie, Ariel who is an overweight middle-aged woman trying to justify why she needs a treadmill, and Luke who always is a lawyer running some non-profit corporation trying to right the wrongs of the entire world that makes the game one we’ve played ten times already.
After coffee, we look through the remaindered books. We rarely buy anything, but I love bookstores—the sheen of the book covers, the feel of the pages, the smell of the glue. A sort of “writer’s high.”
But instead of a book, we found a game on clearance for $7.50. We are game nuts. Cal and I grew up playing Risk, Monopoly, and Battleship. (I always lost in Battleship. Apparently, my ships are placed too methodically. Even when I tried really, really hard to be random, I was predictable.) So about ten years ago when the board/card game world exploded with creativity we eagerly joined. I can play Settlers of Catan, Bang, Gobblet, and even Killer Bunnies—but only if I’m forced (I hate Killer Bunnies. Sadly, it’s the boys’ favorite game, especially nuclear warhead bunny.)
Back to the cheap game. I didn’t really read about the game. I just checked the manufacturer—Gamewright makes good games. Then in the car on the way home I read the game summary for Aunt Millie’s Million$. “Aunt Millies dies and you become her heir. Use speed, strategy, and persuasion to collect the most coveted valuables. Will you get the vintage jukebox or the rusty toilet? Claim the same item as another player and you must give the best sob story to convince the judge you deserve it more.” Oh, and the person who gets the most stuff wins. Um, isn’t this what we want to teach our kids to avoid—greed, selfishness, and lying?
We began the game and had our first “heir squabble.” Jacob squabbled with one of his siblings over a Picasso painting, obviously very valuable. The problem for Jake is that before the game when you have to make up a history for your character, Jake made his character a blind orphan who was adopted by Aunt Millie. Of course, this caused him serious issues when he argued that he should get the Picasso, which he couldn't even see.
In the end, nobody really cares who wins. It’s seeing Calvin be the hairdresser whose wife is a trainer for the Pittsburg Steelers, Matt who is a poor maid accused of trying to murder Aunt Millie, Ariel who is an overweight middle-aged woman trying to justify why she needs a treadmill, and Luke who always is a lawyer running some non-profit corporation trying to right the wrongs of the entire world that makes the game one we’ve played ten times already.
Friday, October 1, 2010
Why This Post is Late
The normal Friday post is late. Hmm. I appear to be developing some bad habits. But I do have a good excuse.
Drumroll....
I finished editing my murder mystery. Yay! Well, not completely finished. I'm still working on the read-aloud. When I finish a novel, I read the entire thing aloud to myself. It helps me find all those pesky typos. It's not much fun though. But as I tell my kids, nothing worth doing is ever easy. Anyway I should finish the read-aloud today.
Yesterday I emailed a MM queries to a couple of agents who requested that I query them. Now comes the wait, which is the worst part of being a writer. But the good thing about that is I get to start dreaming/planning/plotting whatever it is that I'm going to write next. Time for the happy dance.
Besides finishing my own book, I'm beta reading a novel for a friend. It's young adult horror. I've never read horror before--it's delightfully creepy and paranormal spooky. I wish I could share with it. But I can't. Sorry.
Have a great weekend.
Drumroll....
I finished editing my murder mystery. Yay! Well, not completely finished. I'm still working on the read-aloud. When I finish a novel, I read the entire thing aloud to myself. It helps me find all those pesky typos. It's not much fun though. But as I tell my kids, nothing worth doing is ever easy. Anyway I should finish the read-aloud today.
Yesterday I emailed a MM queries to a couple of agents who requested that I query them. Now comes the wait, which is the worst part of being a writer. But the good thing about that is I get to start dreaming/planning/plotting whatever it is that I'm going to write next. Time for the happy dance.
Besides finishing my own book, I'm beta reading a novel for a friend. It's young adult horror. I've never read horror before--it's delightfully creepy and paranormal spooky. I wish I could share with it. But I can't. Sorry.
Have a great weekend.
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