Thursday, December 19, 2024

Book Review: My Parents' Marriage by Nana Ekua Brew-Hammond

 

I heard Nana read aloud a passage from My Parents' Marriage in a writing group I belong to, and my first thoughts were “The writing is so beautiful” and “I have to read this novel.” When the novel was published, I read it quickly because the plot was engrossing and the writing lyrical.

One theme in the novel is plural marriage. Because I know several women who have had their lives affected by plural marriage, I wanted to find out how Nana handled it in her book. She explored the pain and reverberating effects of plural marriages on the wives and their children with deftness and compassion. In the end, I enjoyed this novel and I came away from it a changed person.

A five-star read.

 Here’s the novel’s blurb:

 Determined to avoid the pain and instability of her parents’ turbulent, confusing marriage, Kokui marries a man far different from her loving, philandering, self-made father—and tries to be a different kind of wife from her mother.

 But when Kokui and her husband leave Ghana to make a new life for themselves in America, she finds history repeating itself. Her marriage failing, she is called home to Ghana when her father dies. Back in her childhood home, which feels both familiar and discomforting, she comes to realize that to exorcize the ghosts of her parents’ marriage she must confront them to enable her healing.

 Tender and illuminating, warm and bittersweet My Parents’ Marriage is a compelling story of family, community, class, and self-identity from an author with deep empathy and a generous heart.

Friday, December 6, 2024

Snow!


Earlier this week, I woke up to beauty on the other side of my bedroom window. 
(As former New Englanders, we love the snow and don't mind it doesn't happen too often.)

 

Thanksgiving Day! We didn't have any children or grandchildren home for the holiday--they're coming at Christmas. But we did have a lovely mix of relatives and people who feel like relatives. 

Friday, November 29, 2024

Book Review: I Worked Hard on That!

I've read a LOT of children's books over the years—everything from Tikki Tikki Tembo to The Stinky Cheese Man to Dr. Suess’s poem “The Pale Green Pants.” So, I thought there weren't any new ideas left in children’s books. But Robyn Wall proved me wrong. Her new children’s book I Worked Hard on That! takes the reader on a delightful journey with a spider named Kiara as she spins her webs and learns about beauty and creativity. 

When I began writing, I wish I’d known how the journey of creativity goes. How each experiment in making something new leads you on an exploration that hones your skills and voice. But don’t think the creativity journey is only for writers and artists. The same principles apply to writing a mathematics proof, programming, even engineering.

And  I must mention the illustrations by A.N. Kang are gorgeous—they tell the story in pictures as Kiara’s webs grow more beautiful along the way.  

 I’d encourage you to pick up this book for a child you love. Or, buy it for yourself--you’ll love it. 

Wednesday, November 20, 2024

Autumnal Flowers

 

I love autumn flowers. They are bright and beautiful when most plants have gone to sleep. When the trees follow suit, the air is pink. A hint of the spring to come. (These are blooming in my garden.)





Tuesday, May 21, 2024

Ehlers-Danlos Syndrome Awareness

 May is Ehlers-Danlos Syndrome Awareness Month. As someone with this rare genetic disease, I want to do my part so more people are aware of it. I hope someone will see these photos and say, "Hey, I can do that" and won't wait decades, getting sicker and sicker, before they are diagnosed.

This is one of many EDS "party tricks."
If you cover my pants with your hand, my head looks like it's on backward.

Cute EDS Awareness t-shirt.

This is the EDS "gang sign.
Take your thumb and touch your forearm


Friday, June 9, 2023

Book Review, What She Takes Away


 What She Takes Away is a heart-wrenching, debut novel, which explores the warp and weft of the lives of Gia and her estranged family in the village of Castel Barberini, when she returns to Italy for Milan’s Fashion Week.

As I read the novel, I was impressed with the novel’s pacing, character development, and artistry. I was transported by the Italian setting, which is so integral to the plot and characters that this story could not exist in any other time or place.

Ms. Annesi adds another dimension to her novel. An artisan fabric that weaves itself into all aspects of the plot, becomes not only a metaphor for the characters’ growth, but a character itself. It is only as the shuttle interlaces people in its web that we see the beautiful couture silk of Gia’s dress and life.

Highly recommended!  Click here to see the novel on Amazon.


Thursday, May 25, 2023

The What, Why, and Wherefore of Autofiction


Over the past decade, Connie and I have shared our lives and stories, often through our Wellspring Writers fellowship. Not surprisingly, life-based stories also make their way into writing. When more than half of a story and/or the critical plot points and characters in a work of fiction are not only based on real life but are actually part of real life, that’s autofiction. In this post, we’ll consider these oft-asked questions on the genre:

  •  What is autofiction

  • Why do writers choose the genre?

  • How can writers select and transform important life events, turning points, and discoveries into stories?

Autofiction usually is described as a combination of autobiography and fiction. Although this makes the term easy to remember, it’s more accurate to equate the nonfiction aspect with memoir. The main reason is that where autobiography usually covers a person’s entire life, memoir typically focuses on critical aspects of the person’s life, or a segment of it or a running theme that ties selected events together. Regardless of how autofiction is defined, there are practical reasons why writers work in the genre.

 Most people go through a number of seminal events and turning points throughout their lives, with epiphanies along the way—moments where a sudden flash of insight illuminates the writer’s understanding of herself, her world and the people around her. These elements often become part of stories in a natural way. For example, if we’re writing a scene where the main character moves from one part of the world to another and we’ve done the same, we’ll instinctually draw on our experience to write this section of the story. What makes the segment autofiction is when what happened to the character leading up to the move, the realities of the move itself, and what results afterward (including flashes of insight into what it means to undergo a major shift in geography, externally and internally) forms the bulk of that section of the story. We’ve seen that poor (or fortunate) soul who’s moving halfway around the world, and she is us.

 Writers also write autofiction because they want to revisit certain life events, changes and discoveries in order to better understand their lives and the people in them, and convey what they’ve learned in the form of story. This is especially true when there’s a particular theme involved, such as what it means to have a dual heritage. The underlying principal is what Vivian Gornick refers to in The Situation and the Story, on the art of personal narrative. “Every work of literature has both a situation and a story. The situation is the context or circumstance … the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say [about the circumstance].” Here, the writer has gone through something he wants to recall, explore and reveal, and has come to the written page to speak of it in a way worth remembering.

 So how does a writer transform life into stories? In reality, most writers, especially those who have been writing for a while, have an innate longing to explore some key event in their lives. It could be a move, career change, or life change. It could be something they’ve always wanted to do but haven’t been able to. Taking time to look back is an important step in deciding which aspects of life to cover. Even more important is “why”. What is it that makes the event, turning point or discovery worth writing about, worth spinning out an entire story for? The answer usually has to do with how much of an impact the event had on the writer. If it made a lasting impression on her, it could have the same effect on readers.

 My new novel, What She Takes Away (Bordighera Press, May 2023), is a work of autofiction. Set largely in Italy, the story is based mostly on events in my life and my mother’s, and the lives of her family. The actualities, especially the discoveries, were worth writing about because they shaped our lives. And if they shaped our lives, they’ll likely have impact the reader’s life. Isn’t that what the best stories aim to do?

The weaver’s shuttle of story turns in What She Takes Away when aspiring fabric designer Gia Falcini receives a gift from her estranged father in Italy that sparks a journey to his hillside village and new stepfamily, the country’s style capital and a rare local textile mill that could shred Gia's aspirations or offer a legacy worth taking away.




Adele Annesi is the author of
What She Takes Away (Bordighera Press, May 2023) and co-author of Now What? The Creative Writer's Guide to Success After the MFA. Also a former development editor for Scholastic Publishing, Adele has published works with 34th Parallel, Midway Journal, Miranda Literary Magazine, The Pittsburgh Quarterly, the Washington Independent Review of Books and Southern Literary Review, where she was managing editor. Her work has been anthologized for Chatter House Press and Fairfield University, where she received an MFA in creative writing. Her essay on Italian citizenship is among the Clarion Award-winning Essays About Life Transitions by Women Writers, and she received the Editor's Choice award from the National Library of Poetry. Adele’s sudden fiction has been adapted for the stage, and she has served as a screener for the Ridgefield Independent Film Festival. She is currently a columnist for The Authority and Book Marketing Matters, and a writing instructor for Westport Writers’ Workshop. Adele’s long-running blog for writers is Word for Words, and her website is Adele Annesi.